The Juno Awards organization has not yet made a decision regarding the status of Buffy Sainte-Marie's accolades, particularly in light of her recent removal from the Order of Canada. The Canadian Academy of Recording Arts and Sciences (CARAS) is currently consulting with its Indigenous music advisory committee and other Indigenous stakeholders to determine the best course of action following these developments.

The need for a review arose after a CBC report questioned Sainte-Marie’s claims of Indigenous heritage. The report found a birth certificate indicating that she was born in 1941 in Massachusetts, leading to inquiries regarding her ancestry. Family members in the United States have stated that Sainte-Marie was not adopted and lacks Indigenous lineage, further complicating the situation.

In response to the CBC report, Sainte-Marie has contested the findings, asserting that the report contained several errors and omissions. She maintains that she has never misrepresented her identity, showcasing her commitment to her heritage and music.

Buffy Sainte-Marie is a notable figure in the Canadian music scene, having won five Juno Awards, four of which fall under Indigenous categories. In addition to these accolades, she received a humanitarian award and has been inducted into the Canadian Music Hall of Fame, underscoring her significant contributions to the industry.

Following the cancellation of Sainte-Marie’s Order of Canada appointment—an action taken by Gov. Gen. Mary Simon on January 3—CARAS acknowledged that it is aware of this decision. This termination is notable as it marks only the ninth occurrence in the history of the Order of Canada, although the Governor General's office refrains from commenting on individual cases of termination.

CARAS has stated its intention to work closely with its Indigenous Music Advisory Committee and other Indigenous representatives as they consider the implications of Sainte-Marie's situation on her Juno Awards. The organization emphasized its ongoing commitment to promoting and honoring Indigenous music within the Canadian music industry, indicating a deep respect for the contributions made by Indigenous artists.

The developments concerning Buffy Sainte-Marie have sparked significant conversations about identity and heritage in the arts community. This situation reflects broader societal discussions about representation, authenticity, and the recognition of Indigenous voices in a historically dominated industry. As the Juno Awards continue to deliberate on this matter, the industry watches closely, underscoring the complexities and sensitivities surrounding the awards and the artists they celebrate.

This report, published by The Canadian Press on February 11, 2025, highlights the implications of identity and the responsibilities of award organizations in addressing such critical issues.